multichannelvideo

Making Active: Making visible” – Juliana Spahr
“Oh ah baby I love it when you talk academia” Annie Sprinkle

Reading bibliography
Your final documentation should contain a bibliography

See suggested reading at http://multichannelvideo.blogspot.com/

This should contain
At least
3x critical theorist
3x video artist
3x journal/magazine
3x other type of resource web page/audio archive etc

Image: The Amateurist – Miranda July
Final project proposal to be handed in Wednesday 15th

Written proposal to be no more than 1000 words
And should include:

1.Artist Statement
2. Project description
3. Project Implementation
4 Working methodologies/concepts/motivation
5 Allocation of time – filming, editing, making installation
6. Technical list
7. Supporting material e.g. photographs, sketch book, plans, anything which might make your idea clearer

Please note the proposal will form part of your final mark.

Interval (2) Film can help us think thought
A confluence of papers, video/film essays, screenings and installations

Woburn Square Studios WC1 (The Slade Research Centre)
Off Gower Street, nearest tube Russell Square or Euston Square)
Friday March 17th 9am - 7pm
Day Pass 20 UKP / 10 UKP concessions

Interval (2) takes as its line of flight philosopher Gilles Deleuze’s film philosophy, and in particular the terms: "the irrational interval", “the time-image” and “the ruin of representation”, giving attention to the moving image as a site for aberrant thought and social transformation. Featuring:

Janet Cardiff & George Bures Miller (incl. a screening of The Berlin Files)
David Rodowick (author, Gilles Deleuze's Time Machine)
Nicole Hewitt, Stephen Connolly, Michael Goddard, Henry VIII's Wives, Firoza Elavia, , Alan Rhodes, Sophia Kosmaoglou, Maria Walsh, Rob Grose, Steven Eastwood, Hilary Koob-Sassen, Duncan Reekie, Michelle Smith, Karen Mirza & Brad Butler, Nicola Woodham, Francis Summers, Cedric Noel, Mic Shaw & Resonance FM, Clio Barnard, Phillip Warnell, Jamie O'Neil / Kurt Weibers. Moderators: Gareth Evans, Penny Florence, Ian White.

Panel #1 10.00 - 12.00 THE RUIN OF REPRESENTATION
Panel #2 1.00 - 3.00 CONTEMPORARY IMAGES AND THE GAP
Panel #3 4.30 - 6.00 BETWEEN SCREEN, WORLD AND MIND
---------------------------------------------------------------------------------------------------------------------
Interval(2) Saturday screening Sat March 18th
Cine Lumiere - Institut-Francais
Queensbury Place, London SW7 2DT (nearest tube South Kensington)
Tickets: 7 / 5 UKP per screening.

12.00 - 1.45pm Cinema: screening #1
2.00 - 4.00pm Petite Salle Seminar Room:
Lunch and plenary discussion
Mark Aerial Waller - La Societe des Amis de Jude X1 (screening/performance)
4.00 - 5.45pm Cinema: screening #2

Featuring:
Chris Ernst, Peter Tscherkassky, Daniel Cockburn, Paul Tarrago, Katherin McInnis, Doug Fishbone, Ben Callaway, Joanna Raczynska, Emily Richardson, Peter Miller, Steven Eastwood, Romeo Grunfelder, Natalie Frigo, Hilary Koob-Sassen, Victoria Fu, Chris Ernst, Fred Ward, Alexander Stewart, Janet Cardiff & George Bures Miller.

Programme subject to change. For full programme details and information on registration go to: www.cinemaintothereal.org/interval2
Email: interval@hotmail.co.uk
All events open to the public

Reading list.

Michael Rush – New Media in Art - Thames & Hudson 2005
'Video Art' by Michael Rush, published by Thames and Hudson, 2003
Video Art a Guided Tour Catherine Elwes – i.b. tauris 2005
Gary Hill ed. Robert C Morgan John Hopkins Uni Press 2000
Outer & Inner Space B. J. Ravenal Virginia Museum of Fine Art
Nam June Paik Video Time Video Space Edition Cantz 1991
Douglas Gordon Ed. Russell Ferguson The MIT Press. 2002
Artists’ Video: An international Guide Ed. Lori Zippy Electronic Arts Intermix
Everybody’s Autonomy Juliana Spahr University of Alabama Press2001
Media Rituals Nick Couldry Routledge 2003
Paradise & Method Bruce Andrews North Western Uni Press 1996
Life After Thoery. Ed. Michael Payne and John Schad Continum 2003
Regarding the Pain of Others Susan Sontag 2003
Art in the Age of Mechanical Reproduction Walter Bejamin Art In Theory
On Photography Susan Sontag Penguin 1977
Paik Video Edith Decker-Phillips 1998
Sexual Textual Politics - Toril Moi

www.post-videoart.com/
http://www.lux.org.uk/
http://tvgallery.ru/en/index.html
http://www.tate.org.uk/britain/artistsfilm/
http://www.tate.org.uk/britain/turnerprize/history/
http://www.tv-ark.org.uk/
http://www.paperfilms.co.uk./ - mobile phone films
http://www.sfmoma.org/exhibitions/exhib_detail.asp?id=60
susan hiller http://www.susanhiller.org/
lisa Wesley http://www.bbc.co.uk/arts/shootinglive/2002/lisawesley/
http://www.bbc.co.uk/arts/shootinglive/2002/georgechakravarthi/
http://www.experimentalcinema.com/index.html
http://www.acsu.buffalo.edu/~cgkoebel/examinants/lew.html
http://www.brighton.ac.uk/arts/research/3_0_research_activity/3_2_0_research_staff/3_2_01_aggiss_liz.htm
http://www.goatislandperformance.org/writing.htm
http://www.judisdaid.us/gi/
http://www.liveartdirectory.org.uk/home.html

# posted by gilbertandgrape @ 3:04 AM 0 comments

Week 1
Framing Time & Installation Lab - Practical experiments in video and installation.

Week 2
Other Audiences/ Other Places - practical experiments with wireless cameras/ live feeds. Looking at artists whose work brings to surface ideas about location/dislocation/truth/fake/interruption/loss of signal though the use of video streaming, live feeds, live interaction, performance.

Week 3
Introduction to final project. Looking at proposal writing, technical riders, showreels. Curating Video Art. Gallery trip?. Video manipultation and editing workshop.

Week 4
Sounding it Out - Using Soundtrack, recording sound, adding sound to video, installing sound.

Week 5
Process and Screenings Tutorials about your work so far. Screenings of video art throughout the sessions for to drop in and out to (if you need to think about someone else's work for an hour instead.)

Week 6
Project Presentations - Final work installations/screenings/performances